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18 - 29/06/2021

Gallery
  • The Poznań instalment in a series of events that NTGent and the International Institute of Political Murder have been holding since 2020. Artists, activists, politicians and philosophers from all over the world meet online every two weeks to discuss issues related to a policy of resistance to be implemented against political, economic and cultural injustice.

    The fifteenth episode of School of Resistance, created in the context of the Malta Festival Poznan 2021, will bring together several people who center their work around queer liberation. Together with the author of Xenofeminism, Helen Hester and the Polish drag performer and political activist Maciej Gosniowski will talk about LGBTQI rights and the artistic potential of transforming desire and gender.

    Link for the debate: School of Resistance / Queer Utopia

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    28, 29.06, 19:00, Play: REPEATING. HISTORY OF THEATER(I)


    Screenings of films / recordings of performances and debates:

    24.06, 14:30 THE CONGO TRIBUNAL

    24.06, 16:15 FIVE EASY PIECES

    24.06, 18:15 ORESTES IN MOSUL. THE MAKING OF

    25.06, 11:00 LAM GODS

    25.06, 13:00 THE NEW GOSPEL

    25.06, 16:00 ROUND TABLE ON THE WORK OF MILO RAUA

    25.06, 20:00 SCHOOL OF RESISTANCE

    27.06, 11:00 MEETING WITH MILO RAU

    27.06, 12:45 MEETING WITH SÉBASTIEN FOUCAULT AND EVA-MARIA BERTSCHY

    27.06, 14:45 MEETING WITH STEVEN HEENE

    27.06, 16.00 JUST ASKING: FILM?

  • Helen Hester is Professor of Gender, Technology and Cultural Politics at the University of West London. Her research interests include technofeminism, social reproduction, and theories of work, and she is the author of Xenofeminism (Polity: 2018) and Beyond Explicit: Pornography and the Displacement of Sex (SUNY: 2014).

    Maciej "Gąsiu" Gośniowski is a graduate of the National Theater School in Krakow. He directed the show Borderline Queen. Kerstas at the National Theater in Vilnius, and Patriarchy Queen in cooperation with the Komuna // Warszawa theater. His work is inspired by the art of trashu and breaks the stereotypical perception of gender, especially masculinity. He describes himself with the phrase "masculine enough to be queer".